For me the province of poetry is a private ecstasy made public, and the social role of the poet is to display moments of shared universal epiphanies capable of healing our sense of mortal estrangement—from ourselves, from each other, from our source, from our destiny, from The Divine.
Everything’s an offshoot of something else
just as we are offshoots
So a boat on the high seas being tossed by waves
got there by a web of circumstances that
includes the tempest sunset whose
gorgeous glory fills the doomed with joy
Is our job to cut some shoots and
let others prosper?
Not all lead to healthy outcomes
but all are intertwined
A black rose filled with venom
as much as that deep red one filling the
house with death-defying fragrance
Each extension of ours from here to there
interconnectedly resulting from
that event now sliding into obscurity
while another event emerges with its
painted backdrop of sheep-filled valleys
under pellucid skies
One step away or toward somewhere rather than
somewhere else making a perfect
pattern if seen from above perhaps that being
the vantage from which the star shapes and
snowflake designs the circle coils and
black holes of our lives can be
discerned
leading always back (and forward) to a
divine spring rushing over
slick rock beds of wonder
_______________________________________________
7/6/2007 (from The Sound of Geese Over the House, in preparation)
Flowers in the shapes of cozy houses,
fountains in the shapes of windows
opening onto gardens,
roadways over bridges in the shape of
prancing white horses,
bridges leaping over gurgling streams in the
shape of two people in love gazing into
each other’s eyes over
tea and cucumber sandwiches,
esplanades in the shape of classical German literature,
trees flying upward like stationary flames,
their dark leaves rippling endlessly upward
in the shapes of deep-sea tropical lantern fish
suddenly become Flamenco dancers on a
hot Spanish night in Granada,
the garden itself in the shape of a heartbeat
all alone over the edge of the world, face
to the black night,
the black night itself in the shape of a
garden circling endlessly back
into itself like
circulating blood,
eyes and faces of children from the subcontinent
or from Madagascar, surrounded by
exotic vegetation,
the moment in which the garden is glimpsed
in the shape of all those missed opportunities
or in the shape of a sudden breakthrough in the
heart,
the heart of the garden, the voice of the
garden in the shape of an
angel’s wing that opens onto a
stairway within a stairway within a
stairway that leads either
up or down depending on your
preference, or where your
garden-shaped, fire-shod feet have led you in
this life.
_____________________________________________
6/8/97 (from Chants for the Beauty Feast, Ecstatic Exchange, 2010)
Orpheus wore that look of astonishment for the rest of his life
How could he have been so
thoughtless as to turn around?
And so near the top?
Wasn’t hearing her behind him on the
steep gravel enough?
It was all dark anyway and he couldn’t
have made out those features that
so swung him around
In the end Majnun even says he doesn’t want to
actually be with Laila
He has Laila inside him
If we’re given a command and its
conditions knowing full well breaking it
entails disaster
what crazy mechanism inside us
whispers its shaytanic hiss to
flagrant disobedience?
Adam and Eve! Back to the original
in the leafiest loveliness known
plucking fruits at our pleasure
and being held accountable for our
wrong move so deeply inspired
a split second of
colossal miscalculation we
pay for for the rest of our lives
The two beloveds almost floating up the
steep incline from the Underworld
They could feel the upper air’s fresh
breezes on their eyelids and cheeks
Orpheus could have evermore sung his joy
Is this an explanation for the
rough time we have here?
We can’t control ourselves to do what’s
right?
Is lament the real song we sing
each time we sing?
Even as we dress it up as “Orpheus: The Musical”?
Do we own any of this?
Is our own phantom lurking around in the
shadows to curse us?
Can’t our clear face face God and
win the day?
Can’t the Prophet’s mere gorgeousness in every
act of his control us?
God’s Peace seal us in His embrace?________________________________________________
4/19/14 (from The Sweet Enigma of it All, in preparation, insha’Allah)
A little ramshackle shack on a hill
blown apart by the wind
door roof and walls lofted aloft and sent flying
no weightier than paper upon which is casually written
a name
twists in the air almost signals goodbye then
suddenly is gone only
bare hillside left behind
a goat now stands upon
two goats a small herd after the wind’s died down
straggle along distractedly
chewing
Madame X is led out to the guillotine where a
head once encircled by ermine on a tall neck once
encircled by strings of pearls and glittering diamonds
rolls like a dark pearl into a basket its
eyes rolled heavenward its body relaxed
backward like a flung necklace onto a
marble tabletop in an
empty room after the
ball is over
2
Imagine the precise and daunting gears and
levers of the decree that led to all those innocent
people meeting death at the World Trade Center in
New York September 11, 2001
all the little accumulating gestures and maneuvers that
put them at their desks on schedule in time to die
the horrific fireball of the angel of death who may have
appeared to them all at the last as
cool refreshing waterfalls of light or open
delightful corridors leading to emerald green
gardens so bright with joy they forgot completely
how they got there
We all wonder how we’ll die
hoping for a soft bed in a warmly lit room surrounded by
loved ones after a short and not too uncomfortable
illness a kind of light cough or a
stitch in the side and that’s all
never imagining falling to the ground from 110 stories in the air
or twisted in molten steel like a tyrant’s cage
in suffocating smoke
Unthinkable
The high school diplomas the happy
vacation moments in Cancun across a turquoise pool
the epiphanies while reading Moby Dick
the birthday banquets with long-lost relatives
the recent wedding or long-awaited love letter received
It’s a lone figure in a woolen hat on a sheer white hillside
whose coat trails the ground and whose
footprints evaporate once the meeting’s taken place
It’s unfathomable and beyond any human
words devised to describe it
and for all those souls lost in the New York disaster
whose accidental but destined martyrdom is absolutely assured
(except ironically to the fanatically deluded
hell-bound perpetrators of the unthinkable
disaster itself)
there are coats of eiderdown so soft and pearls so ethereally gorgeous
so filled with subatomic music that pours out of
every gap in their weave to envelop the air in
ecstatic choir
And the divine shadow of Truth moves aside to let pour
a radiance so pure every moment set in motion in time
one step after another year after year that led to their
being there in the right place at the
supreme right time
suddenly becomes a series of perfect stepping stones like floating
lily pads over deep black water to a Paradise even our
most ornate imaginations cannot adequately imagine
3
People are very involved with having
faces and eyes and thoughts of their own and
smells in the odorous parts of their
bodies where the human anatomy dictates
They move with a certain self-consciousness which is sometimes
nonchalant and at other times unnatural
they can feel their spines hunched or vertically straight
and how their rib-cages make room for their
breathing
People are curious capsules of atmospheres and internal weathers
and at complete ease are either blessed with expansive
horizons or cursed with tics and foibles that
intensely constrain them
a consciousness that may include the Serengeti for example with
all its wild flora and fauna or the
bleached out and tattered prospect of simply
four walls a ceiling and a floor
Young ones often betray a jumpy and eager quality
old ones a sleepy and generally exhausted quality though they
may achieve beneficence from time to time as their
bones creak and their nerves ache
But each one is categorically a cosmos and has vivid
cosmological thinking and a deep appreciation of its consequences
and each one experiences the end of the
world when death appears like a
yawning sea to drown them in its
perpetuity
drawing back within it the
essence of their beauty
4
This is the music space
where music is most difficult
this place of joy and horror
sound of fuselage entering steel as if
slicing through butter
This is the silence out of which
all the thrilling chords emerge
This is the space of the silence of souls
at their moment of release
This is the air over a dewy wheat field
crackling like cellophane in the morning light
This is the music space
voices in a room of those
visible and those who are invisible
I think the music of the spheres
can be heard in this space
It’s the sound of life
which takes place without echo
or is nothing but echo
And the original sound is the
sound of God alone audible to Himself
and we are the humming elements of that sound
This is the music space
we hear it this very moment
It’s the sound of hooves
and nothing at all like the sound of hooves
It’s the endlessly heaving ocean-sound
which turns out to be our blood beating
and the deep tidal push of our own heartbeats
Each whisper of love and fear and grief
rises in this music space
And one single note is enough to fill it
And silence itself is part of it
And the silence or the sound that follows it
is also part of it
_______________________________________________________
9/15-16 (from The Music Space, Ecstatic Exchange, 2007)
(NOTE: I first read this poem in its entirety in public at an event produced by the New York ASMA Society in Grace Cathedral, January 19, 2002, Reflections at a Time of Transformation.)
The façade of a building falls away and
reveals a man praying
A bakery loses its show-window showing a
hundred weddings who’ll have to
wait in the next world for their cakes
An Orthodox cathedral split in two
revealing a solemn baptism that’s now become
more like a drowning
A synagogue smashed like the tablets of Moses
the dust of the Torah continuing to
rise for years through the lunar cycles
A medieval mosque’s minaret struck into rubble
and the muezzin’s call going out bodiless
a hundred times louder
The road rutted with machinegun fire
and ghost cows dancing with their dazzled cowherds
New houses and old houses collapsing like cards
and the surprised furniture giving up their
inhabitants like birds released from their cages
Windows of government buildings falling into streets
revealing some making secret deals and others
receiving holy light for works of self-sacrifice
anonymously accomplished
A firehouse going up in flames and no
nozzle quenching it
A police department getting flattened and no
police whistles piping through the roar of falling plaster
Trees just coming into bud turning as black as
pokers their fruit both present and future
now gracing the fresh tables of the dead
Hillsides turning as black as ash
revealing lairs of tiny mammals
tremblingly shielding their young
This earth sliced apart like a unripe melon
revealing both incandescent fury
and radiant secrets of redemption
incomprehensibly intertwined
No one returning with a happy face at the
end of the day or followed by children like the
Pied Piper to safety beyond the rocks
The soul of man split asunder at the
first crack of unjust death and unjust retaliation
revealing a person naked drenched in
original water coming toward us surrounded by
anticipatory angels anxious for an
outcome already known to Him
who benignly created us
and Whose Voice rises inaudibly
above all other voices
saying over and over
the single word:
Peace
______________
8/2/2006
(from In the Realm of Neither, Ecstatic Exchange, 2009)
Angels are learning new tricks to entertain all the
dead children
just bringing them to a quiet place used to be enough
blue panels sonorous as cool winds rising to
infinite heights and
luminous rivers tasting of fresh milk and
passionflower honey
But now they are more restless and want something
lively such as fabulous displays and real
stellar extravaganzas to shut out the memories
All the wingéd horses have been brought in
and every banner from every battle ever waged
transformed into aurora borealis brightness is
planted on either side of the great arena which is
actually nowhere you can put your finger on and may be as
big as a sparkle or light years across
The angels begin conventionally enough and since they’re
anti-gravitational they are capable of some
pretty amazing feats their specialty being a
spinning array of a few billion shimmering their wings and
turning slowly at first in a
cone that goes up through so many dimensions the
children have to stop counting with
each dimension demarcated by another
color no one on earth’s spectrum has
ever seen before
Then the cone begins
turning faster and faster and shoots higher and higher
finally sweeping their astonished souls wide-eyed into a
vortex so swift they barely notice that they’re
arcing across fields of unearthly green and seas of
unoceanic turquoise
Each shroud has been made into a tent filled with
fabulous fruits and unidentifiable edibles of
uttermost succulence
Each soul has been given the Ultimate Glimpse
and the Accurate Portrayal
the Perfect Sustenance and the Infinite Intensity
Each time they clap their hands a new
universe appears
more fabulous than the last
And when they tire of such delights
William Blake reads to them from his new work
and Mozart comes in and plays them a tune
on a million pianos
_____________________________________________________________________
4/11/2003 (from Psalms for the Brokenhearted, Ecstatic Exchange, 2005)
A single breath contains the
known and unknown universes
Back behind edgeless
space are motions that
vibrate the heart
Back behind ancient mountains and
historical intricacies
a shadow gives way to Light that has a
door in it to
let us through
We take no step that
doesn’t bring us nearer
One sip and the oceans disappear
One glance and the skies
bend closer to hear our
emptiness
One heart-wrench elegant elevation
and we’re on a
plateau tossing a stone in the dark
that never stops echoing
__________________________
8/1/2011
1 Ramadan, 1432
(from Ramadan is Burnished Sunlight, Ecstatic Exchange, 2011)
She lies on her couch and stares at the ceiling
like a bird. Blinks and keeps
staring. Her arthritic fingers like bird claws.
But her face also reminds me of a cat’s,
looking completely with seemingly unseeing
eyes. Then comprehending. Then
not comprehending. Her
frail, cold form, cheeks sunken, hair so usually
carefully kempt, now spreading out white and
lank and long behind her head on the
pillow, hair I’d never seen not in some
beauty shop cut, now left to
nature, oblivious to fashion. Ancient.
Crone hair. Mother, my dear affectionate
mother, a crone. But a
sweet crone. “Should I be here? Is this
where I’m supposed to be?”
Blinks. Recognizes. Loses the
thread.
There on her perch in a kind of
silvery nowhere. Who
took me downtown to the movies, by bus, later by
car, who dressed me warmly, snapping the
leather strap of my
cap under my chin, who
took me across the Bay Bridge to
San Francisco on the train (the span under the
automobile level above), and I
remember so pungently the smell of the
Hills Brother Coffee factory on the
San Francisco side, and the
coffee cup up-tilted ecstatic
Arab in yellow robe and white turban bigger than
life on the billboard. That was my
mother who took me there, who tilted her
head and smiled, and flirted, and hated her
round gray mother for flirting, and she even
now flirts on the bed, face up at me, winking,
frowning, opening eyes wide, pulling down her
mouth, then smiling that heartbreaking
mother’s smile. My
mother’s smile.
2
The Prophet Muhammad said Paradise lies at the
feet of mothers, and I
know it’s true.
My mother lies there with
Paradise at her feet, frail feet now in
soft moccasins, barely able to get her to the
bathroom with her aluminum walker for support,
her thin blue-scribbled legs, whiter than paper,
yet Paradise is there. She
spoon-fed me. That’s the
fountains of Paradise. She
held me close, that’s the
affection of Paradise, and worried herself to
death about me, and had the
dread despair, and was so
glad when I called, and looked into my
face now long and hard and
put her arms around my
neck with extraordinary almost vicelike
grip to kiss me, and though her
kiss, so dry, so cold, lips weathered, was
the kiss of death, on me and on her, it was the
kiss of life, a mother’s kiss, which is the
endlessly flowing rivers of Paradise with a
supernatural light flickering along their ripples,
and the air of Paradise is the mother’s atmosphere,
where she walks, where she
lies stretched out now, hands plucking a
coverlet, veiled eyes fastened on the
ceiling, already more in
Paradise than here. O God, may You
take her there!
3
Silver-haired Siberian mothers!
Hoolah!
Stalking snow-deer, a bone clenched between their teeth,
silver eyes clenched against
storm, determined to get there!
Hoobah!
Natural Wisconsin mothers on cow farms in denim
skirts and boots of rough leather, rope
burns on hands, faces of raw cow milk,
cheeks of burnt straw, eyes of hot
water!
Ooyah!
Moccasin mothers against high winds putting
feather skin capes over moon-faced papooses,
cowering in teepee dark, hearts beating deep,
Cachaw!
Mothers in circle making quilt, toothless,
once-beautiful, lissome,
nimble-fingered, breasts bone, breasts now
dry as bone,
lonesome in their plenitude,
Bashah!
Mothers and more mothers, floating horizontal, head to
toe, great rings of them revolving
around the globe!
Hooshah!
Mothers everywhere!
Living in wood crates on Chinese docks,
palaces with carpets five inches thick,
high rises, tenements,
the projects, the dumps, scrounging supermarket
tips, dipping croissants in
thick cream in outdoor Parisian cafés to feed their
young, birds in the air, mouse mothers in
holes, my mother in
California waiting patiently for death.
“Should I be here? Where
should I be? Is this all right? What
are you going to do now?”
“I’m just going to sit with you for a while,
mom. I’m just going to
hang out with you for awhile.”
“OK.”
__________________________________
4/1/98 (from You Open a Door and it’s a Starry Night, Ecstatic Exchange, 2009)
(Note: A new chapbook of poems written in Turkey recently, in pocket size format,
during sohbets (talks) given by a saintly teacher, my zone listening to the Turkish
producing these amiable meditations. Calligraphies punctuate the poems, by great
Chinese calligrapher, Haji Noor Deen. Available now from the printer: http://www.lulu.com/shop/daniel-abdal-hayy-moore/he-comes-running-poems/paperback/product-21486183.html. There’s also a preview on the
printer’s page.)
Three poems:
11
At the dawn call to prayer from
the nearby lovely spindly-minareted
mosque crossing adhans from other
minarets by loudspeakers all the
dogs near and far begin to yip and
howl and bark in chorus as well
Are they Satan’s dogs howling in
disrespect to keep the believers
away or are they God’s dogs
joyously celebrating the calls
and joining in annunciatory glee
extending the call to the dog
world and any other sleepy
canines within the ears’ both
short and triangular or long and floppy
compass of sound?
12
There were chickens and geese
and strange pointy goose-tongues as
they hacked their greetings or
admonitions at us through the
fence
Then later sheep and straggly
odorless rose bushes and a
bright orange flower with
sheep in the distance
A bare and barren landscape
with dry grasses rough hedges and
bluish mountains in the distance
that Van Gogh with bamboo pens
and sepia and India ink could
bring to vibrant life with quick
stipple strokes and a thousand
heartfelt dots
13
While awaiting the king’s arrival
seventy foals were born in
a barn filled with illuminated
straw
Three cities submitted to a very
short tyrant’s army because of
the size of the brass buttons on
their uniforms
Hair and nails got longer and the
seasons changed
Little by little a fair outline of the
king emerged and some said
they saw it between the forest
trees and others that they ate
with it just after dawn
The little black fly on the wall doesn’t stop to think what he knows, those multiple eyes are enough. God’s sight through them shows him the world.
Birds don’t think, “Fly or soar as I might, I’m only a bird in a bird’s world, one eye on each side of my head, my limited universe not enough!”
The worm in the sod blind as
death, pushing through darkness it may not
see, does it think “I wish I could stand on two legs in a drawing room and sip tea as I listen to someone at a spinet play Mozart”?
Enclosed in the world, we enclose the world, and
it’s enclosed inside us until
we open. We’ll bump into
every wall until we
go from world to
Creator of world, Who’s
given us our world apparatus and sensitive
contraption for grasping the world, and
if we sight along His
cross-hairs in the
Unseen we should
see Him originating this
display.
He who
creates us as we
go.
Fly, bird and worm, and
man, hearts on the
optical throne.
Light
filling us to the brim.
In which to
see Him.
________________________
(from Miracle Songs for the Millennium, 1996, being edited for publication)
Here’s a video snippet of the singing during the New Brunswick Mawlid I participated in. I’m the left hand corner squinting at the text… the singing was so reminiscent of mawlids in Morocco due to the fine leadership of Shadee Elmasry (in white burnoose), head of the Center there… It’s not the best fidelity nor the most ecstatic moment… but a taste… with a few hundred folk out of camera shot…
O Prophet of Allah, by our smallness we know your vastness,
by our electron microscopes we know in this world how very little of the whole world we can know —
what shape we are in, what velocity through space, how organically we are connected to everyone else in this race that has spread out so thoroughly from the loins of Adam.
Right now, our knowing ourselves to be alive, that sense of total infusion between sound of motorcycle on the street outside with the picture of silver-edged sublimity we have of you superimposed in out-of-time dimensions for the gesture of transmission to be triggered 1400 years ago through the tumult of time to now!
Transparency of leaf over leaf in the leaf mold of totality!
Layered celluloid maneuvers of still pictures to the illusion of motion.
Has time elapsed since the first time Allah blew into His Light and said:
Be Muhammad?
Has the fish embryo developed into rapacious shark with slit eyes and merciless teeth who turns its white bulk and swims away?
The sands of Sayyedina Muhammad stretch in all six directions at once!
Connecting us to that first sand grain puffed into space that finds its place in the sea of a trillion grains one so next to the other or so on top of the other, or so underneath
in infinite array past all mathematics but the supra-elemental accountancy that goes on to a zero that drops its silver egg into the infinitesimal yawn of space who feels nothing and goes on as usual
since nothing at all has happened but the repetition of the Divine Name on Its Own Lips
in the everywhere at once of original night.
O Prophet of Allah, you were sent out of this
to tell us, being of it, to lead us, being from it, to its
Source, its spark, its
original one time
special stopping place. ______________________________________________________________ (from Sparrow on the Prophet’s Tomb, The Ecstatic Exchange, 2009)
(Note: Though this poem was written in 2001, amazingly it turns out to have been written the same date as tonight, January 7, during one of the coldest Polar Vortex chill blasts I’ve experienced, and certainly the coldest in many years in Philadelphia. With prayers for the indigent and God’s warmth on them…)
Cold winter night blue snow crust on the ground colors bleached out to only a few from the usual spectrum
even multicolored things in black and white now palladiums of xylophone ice cabinets in a near dimension suspended
just above ground level played on by angels using devilish mallets to make long low echoing plongs of sound
reverberate among skeletal trees housing the few birds left in their snow coats trying to snooze heads deeply
buried in wing-pits like tight feather balls for a sport frozen in space the pitch
suddenly stopped in midair until spring thaw when all will float freely in space again against
flittering green backdrops and uncoiling scarlet splashes and a soft golden ubiquitous light even in the middle of the night
it seems with earth’s blood flow pulsing so youthfully again through the vision screen
and everything again like a golden ocean in motion with all its leaping arcs and arches
not like the present suspended animation of the silvery ice-world held in the
center of planetary star-space like a single round teardrop frozen on its sad descent to nowhere from no particular
origination to no clear destination but dear God’s good pleasure through all His various weathers rapidly
shifting from hot to cold and back again in our
hearts ______________________________________________________ 1/7/2001 (from Blood Songs, The Ecstatic Exchange, 2012)